This is why ‘the Machine’ concerns me

“Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives is the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It has robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralysed our bodies and our wills, and now it compels us to worship it. The Machine develops - but not on our lies. The Machine proceeds - but not to our goal. We only exist as the blood corpuscles that course through its arteries, and if it could work without us, it would let us die.” (E. M. Forster, The Machine Stops, 1909)

“Technique has penetrated the deepest recesses of the human being. The machine tends not only to create a new human environment, but also to modify man's very essence. The milieu in which he lives is no longer his. He must adapt himself, as though the world were new, to a universe for which he was not created. He was made to go six kilometres an hour, and he goes a thousand. He was made to eat when he was hungry and to sleep when he was sleepy; instead, he obeys a clock. He was made to have contact with living things, and he lives in a world of stone. He was created with a certain essential unity, and he is fragmented by all the forces of the modern world.” (Jacques Ellul, The Technological Society, 1954)

“Those who cannot forgive others break the bridge over which they themselves must pass.” (Confucius)

“Sorry, a machine can’t forgive your mistakes.” (Anon.)

“Books don’t need batteries.” (Nadine Gordimer)

"Now, a machine however subtle does not feel love, does not pray, does not have a sense of the sacred, a sense of awe and wonder. To me these are human qualities that no machine, however elaborate, would be able to reproduce. You may love your computer but your computer does not love you." (Kallistos Ware)

Source: https://twitter.com/nasahistory/status/951861340557234177

This is why ‘the Machine’ concerns me. Not that it might one day determine what I might eat or drink, or whether I can drink or eat at all, but that it will not hear my cries. That it will know nothing of physical thirst or of gut-wrenching despair. How can ‘they’ not understand this? It will have no comprehension of forgiveness. It will never wipe the slate clean. There is no delete. No such thing as absolution. It will deny to give me a fresh start [another more terrible dimension to DoS attack]. Mercy does not run through its microcircuitry. Don’t rush to embrace it too soon, this Trojan Horse which comes as a peace offering to the gods. The Creator has mercy for us, “[t]hough your sins are like scarlet, they shall be as white as snow; though they are red as crimson, they shall be like wool” (Is. 1:18). The ‘Machine’ which is ‘spirited’ by power to apply force and control, is unmoved to our petitions, “Dave, this conversation can serve no purpose anymore. Goodbye” (2001: A Space Odyssey). This is the elephant in the living room. Something holds us back, a foreboding, a premonition perhaps, that keeps us from directly addressing this subject.

It really is difficult to see people broken, humiliated, and in some instances to have their lives taken away from them because of something they might have said five, ten, twenty or more years previously. For someone, for whatever reason, to dredge up ‘sins’ of the past in order to hurt, or more concisely, to cause irreparable damage to the other. Who among us hasn’t said something which they haven’t later regretted, or where our words and sentiments can be elicited to carry a meaning or an attitude not originally intended? These can be errors of speech, peer group pressure, or the result of youth and immaturity. Yet it is there, it has been recorded. It is ‘played back’ oblivious to the context. Context is that which “throws light on meaning”.[1] We all make stupid mistakes. It takes time for wisdom and life experience to meld. And in other instances we get to a certain age and become anachronistic dinosaurs. The ‘Machine’ [input-process-output] is calculating and efficient. To ‘terminate’ these people is to simultaneously terminate ourselves. It is to do to another, that which can be done back to us. The ‘Machine’ defines us by our mistakes. It groups us in categories and dumps us in information silos. Is this the fate of the human spirit, to be “born into this?”[2] Imprisoned inside the “big iron” mainframes… like Ted Hughes’ proud Jaguar in “prison darkness” in its cage?

To forgive is an expression of one of our highest elevations as human beings. It is nobler than our finest literature, our greatest art, our most beautiful music. It is greater than all these when practised with a true heart for it takes us into the realms of the deepest mysteries of our combined representations of the Divine. In our religious experience we do not awe at the Creator’s ability with the harp or the writing of celestial sonnets, but rather we are amazed at the expression of God’s mercy and forgiveness. To the extent that we ourselves do the same with our fellow human, that is, to extend our grace towards those who we perceive to have wronged us, we are in the “image and likeness” of the Creator (Gen. 1:26).  We forgive that we could enter more genuinely into the space of compassion, that we might go on loving. The root of “forgive” is the Latin word “perdonare,” meaning “to give completely, without “reservation.” (“perdonare” is also the source of our English “pardon”).  We give up the desire or the power to punish.[3] The ‘Machine’ knows nothing of compassion. It will not forgive because it cannot love. Algorithms don’t have soul; they are devoid of incorporeal essence:

“You can’t forgive without loving. And I don’t mean sentimentality. I don’t mean mush.” (Maya Angelou)

In life not all acts of fellowship are received well or reciprocated. When the grace we give is not accepted and is returned it can be brutal. It is a place of heavy tears. We are living increasingly in a world which keeps us isolated one from the other, and where we might be called-out or cancelled as swiftly as the swatting of an irritating fly. This is not because people are wicked, on the contrary, most people are generous and kind-hearted. We are all fragile vessels on an oftentimes bumpy journey. We can crack. And this is the tragedy, the irony, that this very fragility draws us into systems and networks and ‘mobs’ where we do things so that we, ourselves, might not be hurt. It is increasingly becoming a survival technique. The online world especially has hurt and devastated people by its millions, either by their own hand [addictive behaviours] or cyber-attacks [bullying, misinformation]. “As rapidly as technology advanced,” writes Joseph Carvalko in his prescient novel Death by Internet, “goodness declined…”. Communication technologies are not exempt. They are the voice of ‘the Machine’. The apparatus has no spiritual knowledge of humility and so it cannot practise repentance. Computational empathy or affective computing, is mimicry at worst, and simulation at best. The ‘Machine’ possesses no natural ontology, knowledge representation and reasoning, does not automatically equate to higher consciousness. It cannot possess “human memory”. And therefore it does not know what it is like to be human. I dread to think, if the present-day capabilities of our 21st century technology were available to past totalitarian regimes [especially Advanced LBS and monitoring systems], how enormously more multiplied and innovative their crimes would have been.[4]

To meet likeminded spirits along the way means so very much. It could make all the difference in the world, to have the strength, to hold onto the courage, to keep pushing apart that impalpable space between the light and the darkness. How good to have a friend who is real and co-substantial. To receive an encouraging message to remind you of your humanity, to have sympathy for you precisely because of your flesh and blood. To be accepted for all your faults and list of misdemeanours. And if need be, as it sometimes will be, for one or the other to say “I am sorry”, and to hear those marvellous words in reply, “All is good, I understand.” Not just a graphical control element, or a voice on the other side of an interface, or a recorded message with push button instructions. A machine could be programmed to ‘speak’ all the good things in the realm of metaphysics, but we will always have the perspicacity, that penetrating discernment, that it is artificial, and synthetic. Those words, the programming languages [even if they should ever become distinctly compositional], will never, cannot ever come from the heart [“the blood-beat” of the poets], the place of will and intention. Technology, of course, in and of itself, is not the problem, but our connection to it needs to be kept under constant vigilance, that is, we must keep awake as to how it infiltrates and attempts to redefine our very existence as human beings. When we are in need of some light and succour all the artificial intelligence and interconnectivity in the world will mean nothing. It is like being trapped in a vault of bullion of an unlimited value with no means of escape or communication. What then the benefit of all that precious metal? What good if we are building towards this terrible prediction:

“If you want a vision of the future, imagine a boot stamping on a human face – forever.” (George Orwell)

We give our technology compelling names and dress it up with the most dazzling colours and logos. Many of these technologies, ultimately the most potentially dangerous, we make anthropomorphic. We dress up for example, and give large adorable eyes to the robots. We make-believe that we are understood and can even be loved by ‘the Machine’, that its cold intelligence will keep us warm at night. ‘It’ will seek those divine attributes which we ordinarily attribute to Deity: omnipresence, omniscience, omnipotence, and omnificence. But being created in the image and likeness of the creation itself it cannot by definition ever achieve them. And so it will incrementally grow to become commensurately desirous and aggressive. The monster built by Victor Frankenstein eventually turns on his creator in murderous rage for making him hideous and incapable of fulfilling its integrated dynamism [5] . The singularity will not breathe new life into us to make us immortal. It could one day make you the ‘undead’, but never immortal. We would do good, as well, to not quickly forget the lesson of the story of the Tower of Babel (Gen. 11:1-9). Technology gone awry on account of the hubris of the builders and the resultant breakdown of communication.

We know ourselves better than those who might be wanting to hurt us and much better than ‘the Machine’ which wants to imprison us in its central repositories and data warehouses. Their efforts to cause us pain, to potentially bring us to some humiliation, pale in comparison to our own battles, the fight against our compulsions, and those myriad fetishes within. We know much better than our real-life adversaries and the ‘electronic eye’ of the darkness fighting, assailing our souls, as we try to limit its impact on our lives and on the lives of others. If only they [both the adversaries and the ‘comptrollers’] knew the whole truth, had some insight of the context, they would be ashamed and terrified at the same time. Big Brother and uberveillance as much they might try to get inside the head, to get to the “whole truth” with their own particular strains of watching techniques, can only endlessly fall short of the mark. Our life is a mystery infinitely inexhaustible. We are so much more, much more than our search history and CCTV captures. It is weight enough to grasp what those words below from Miłosz mean for each one of us, before even ‘the Machine’ goes after our self-discovery to take away that private space where away from prying eyes we do our living and our dying: 

“To believe you are magnificent. And gradually to discover that you are not magnificent. Enough labour for one human life.” (Czesław Miłosz)

[1] https://www.merriam-webster.com/dictionary/context

[2] https://www.youtube.com/watch?v=qQJengH58ow

[3] https://www.etymonline.com/word/forgive

[4] https://ro.uow.edu.au/cgi/viewcontent.cgi?article=1716&context=infopapers

[5] https://mitpress.mit.edu/books/frankenstein

Fragments from a diary continued

The nose bleeds increased in frequency, this started to scare me because there were times when I could ‘hear’ little slingshot ‘explosions’ inside my head. It was the beginning of my lifelong battle with high blood pressure. Like the experienced painter, I knew that I would have to keep stretching the canvas. I remember, too, when sleep would finally approach to bow before the icon of the weeping prophet, Jeremiah, and to entreat him for his intercessions for he knew better than most that place of the lamentations. I would then cross my body with holy oils from Mother’s collection to be ‘prepared’ for I could not be sure that I would live to see the next day. The thought of suicide had begun to again infiltrate my mind and would gradually become one of my most unforgiving demons. The more I wanted to put an end to my life, the more I wanted to live. It was this that made it all the more unbearable and excruciating. The unregenerate and the regenerate life-forces within me were fighting for control. They would oftentimes spill into each other, like unconscious memory which streams into the present.

This is close as I would come to some intellectual comprehension of the harmony and dichotomy of that heartbreakingly iconic pericope where most in Christendom have drawn their sense of faith and divine providence from, “Going a little farther, he fell with his face to the ground and prayed, “My Father, if it is possible, may this cup be taken from me. Yet not as I will, but as you will.” (Matt. 26:39)

Organizations to a large extent help shape identity which makes individuals definable and recognizable. How much more faith-based institutions with their overwhelming references to community and fidelity. I had lost my identity or at least very large pieces of it. My identification with the Church was ‘total commitment’. It was everything for Christ. I felt abandoned and whatever gifts I might have once possessed I now considered wasted. Already in the grip of that horrible feeling of having the life sucked out of you, left with nothing: an empty shell.  There is a marvellous title to one of Philip Roth’s books that describes this condition perfectly, The Humbling, even the first line: “He had lost his magic”.

There were more pieces to the puzzle which would catch me by surprise and often enough shock me, this troubling restlessness within me and my inability to compromise were together friend and enemy. I had this overriding sense of a ‘constant homesickness’. It was nostalgia for something I had lost, or perhaps had never even possessed. Maybe, I had somewhere scribbled in a book of notes, it was something like the ‘youzi’: “the wandering man” of the great Chinese poetic canon of the Six Dynasties gripped by the need for spiritual fulfilment he would go on journeys both real and imaginary. But I knew, somehow I knew though I could never quite explain it to myself or to others, that while I had great appreciation for the drama and lessons of Sisyphus I did not too often, even during the most difficult of days feel myself to be condemned to a senseless cycle of repetitions. I could ‘see’ or ‘sense’ sometimes clearly and other times more dimly the light at the end of this long and dark tunnel.

We leave a place never to return, but we spend the rest of our life reflecting over it and going back, often without realizing it. For me this location is ‘Redfern’, it is both a physical and spiritual place. It is the Greek Orthodox Cathedral and my religious name, Jeremiah. It is the priesthood and where I was tonsured into another existence. We never can wholly abandon these places. They become oracles to be written on the inside of our bones. It is like Joyce who was desperate to leave Dublin but never could, and Faulkner who thought he could escape Lafayette County, or more recently Armen Melikian in Journey to Virginland who cannot forget Armenia despite his exile from the homeland of his forefathers. These writers like many others, spend a great deal of their lives going back. The clever thing is to admit to our ‘longing’, to embrace it, to take what is good and to transform the rest. The nostalgia, this longing unto sickness to return, is not all bad and is the central refrain in one of our earliest ‘blockbusters’, the great Homeric epic, The Odyssey.[1]

As you set out for Ithaka

A number of Cavafy’s poems re-work the Homeric myths. Ithaka is the most famous and the last of these designated “Homeric poems”. The first time I heard this masterpiece read, in its original tongue, was when I was still an undergraduate studying Modern Greek at Sydney University in the early 1980s. It was either Michael Jeffreys or Alfred Vincent who recited it for us. Outside the poetry of the paschal canon it had struck me then as the most beautiful thing I had ever heard. I could not have imagined then, young and forward-looking, that there would come a time when hardly a few weeks would pass when I did not ‘return’ to Constantine Cavafy’s luminous Ithaka. “And if you find her poor, Ithaka won’t have fooled you. Wise as you will have become, so full of experience, you will have understood by then what these Ithakas mean.”[2]

Dwelling

“It’s both a noun and a verb. It holds both spatial and temporal meanings. It has taken on a negative connotation of immobility and paralysis, and at the same time it is a word, like home, that evokes powerful positive associations. What is this strange split in our psyche, this ambivalence about residence? The word itself embodies the tension between our awareness of perpetual change and our desire to have something solid and unchangeable to hold on to as we move through the world. It is a beautiful word in just this way, balancing yin and yang, reminding us that it is always possible to find movement within stillness, and stillness within movement.”[3]

Saint Sabbas Monastery

And so I moved on, to the cold and fiery desert. But not idealizing any place for earth is still earth. “There never was, and never will be a place on earth free from sorrows. The only sorrow-less place possible is the heart, when the Lord is present there.” (St Nikon of Optina)

Founded by Saint Sabbas in 483 [478?] CE and overlooking the Kidron valley in the Judean desert, The Holy Lavra of Saint Sabbas the Sanctified is reckoned the oldest ongoing inhabited monastery in the world.[4] In Arabic it is known as Mar Saba. To see this marvel of building ingenuity with its honeycomb architecture where one cell connects seamlessly to the next and a little chapel takes you through to another larger one; where hidden staircases and underground tunnels lead to secret antechambers and to escape routes; and deep blues and earthen reds and golden browns shimmer resplendently in the sun, is to imagine a mysterious jewel in the desert. On walls you will find the signed graffiti of young boy monks who grew-up to become old and venerated Patriarchs. I came to this legendary place once ‘heaven’ to hundreds if not thousands of monks (if you are to include the mountainous surrounds) now down to fewer than a dozen, after having resigned from my teaching post when I had not only discovered the name of my ‘benefactor’ but also found it increasingly difficult to settle into my ‘new’ layperson persona. This was no simple pilgrimage. I arrived seeking to make atonement in what is considered the harshest monastery in Christendom, to find a way with the help of Abbot Seraphim (who was one of the “three”) to make some small amends for taking my hand off “the plough”. I also wanted to discover if I could live here, in the desert where there are no games, as one of the monastic community.

And if Katina’s high school reunion was held a day earlier or a day later than on that fairy-tale February evening in 1994 where without any warning I asked her to marry me, I would have returned. My cell already decided [I had asked for the ‘luxury’ of a book rack and for the window to be repaired], there to spend the remainder of my natural life.

I’ve been through the desert

“I’ve been through the desert on a horse with no name, It felt good to be out of the rain. In the desert you can remember your name, ‘Cause there ain’t no one for to give you no pain.

La,la,la,la,la,la,la,la,la…”

— America

[1] Here is a very good little discussion on the relevance of Homer’s Odyssey which you can share with family and friends: http://theconversation.com/guide-to-the-classics-homers-odyssey-82911

[2] http://www.cavafy.com/

[3] Andrew Peterson, The Next Ten Minutes, (Atria Books: New York, 2010), p. 251f.

[4] https://orthodoxwiki.org/Holy_Lavra_of_St._Savas_(Jerusalem)

Waiting at Helsinki Airport

26 September 2011

Helsinki, Finland

Helsinki Airport best airport in the world in 1999; Alko, Heureka Shop, Luxbag, Moomin Shop, Stockmann, Reader’s, Timanttiset, Santa’s Gift & Toy Store; silence is understood in this country or you have to pay; to the left and to the right angels waiting for their flights; I should get some more postcards; it is very expensive here; a little princess has lost her eye; the tall man with the broken glasses is rummaging through his bags; there are places we will never know exist; the flight to Frankfurt has been pushed back; the Tibetan Book of the Dead also speaks to the living; my first television memory The Beatles in 1963; the hands clasped in prayer like the embouchure of a trumpet player who sets the mouth; like the startling discovery that in modal music C is where F should be; the low drones of the didgeridoo the Holy Spirit speaking in tongues; shadows fall over surfaces becoming part of them; we take our great secrets to the post office and to the grave; I have enjoyed reading Thomas Tranströemer; spiritual imagination can transcend theology; matrix mechanics and quantum jumps; Saint Patrick was a Scott; detective novels are everywhere; John Klimakos’ stairway to heaven meets Led Zeppelin; a weeping Beethoven clutching pillows to his ears; “The man has done his task” (Arthur Schopenhauer); I need more coffee and would like another chocolate croissant; there are lots of handsome people in the Baltics; lust robs of us of our most creative years; last night I dreamt of birds and flying suitcases; a young barefoot woman making eyes at the boy is perjuring herself on her mobile; two friends are exchanging gifts and promises which one of them will not keep; Peter Williams’ J. S. Bach: A Life in Music is beautiful; Muddy Waters wrote his own story; please, Lord, let me find those answers to my questions; mental health can make all the difference; I must send Les more translations; we all carry a book with a big story; Vikram Seth did not like to be called “Vicky”; the ruined temple of Poseidon on Cape Sounion writes poetry during the hours of eventide; in Sumer words written in cuneiform were left out to dry; reading used to be a performance; I must stop worrying myself over Martin; Maximus the Confessor lost his tongue; “Say it, no ideas but in things” (Williams Carlos Williams); may I never, never have thought of überveillance; four more hours before I board for Hong Kong; maybe I should have spoken to that ABC reporter; stop… stop… stop… stop… 12 1234 12 1234 12 1234; Afghanistan, Albania, Algeria, Angola, Argentina, Armenia, Australia, Austria, Azerbaijan; … stop… stop… stop… stop… 12 1234 12 1234 12; Cobalt Blue, Electric Blue, Midnight Steel Blue, True Blue; a little girl with a bald doll is arguing with her Mother who dropped their passports; lots of things are underestimated like the beauty and value of paperweights; and the French horn trying to break into jazz; I need to polish my shoes; the Pope wears red slippers and can fly a helicopter; an old man has fallen asleep with a half-closed book on his lap; when will this flesh be controlled that pure prayer might stand a chance; Our Father who art in heaven hallowed be thy name; please do not abandon me; an impossibility like a little book on Chinese motifs; the Finns epic poets and rune singers of the Kalevala; “Between the motion/ And the act /Falls the Shadow” (T.S. Eliot, The Hollow Men); electricity is fuel; electromagnetism and electrochemistry; Albert Einstein loved both Spinoza and Faraday; a star is a gigantic glowing ball of gas; see Burton’s anatomy of melancholia; In the beginning was the word.

An Extraordinary Gift

Kingsgrove, NSW

There is a joyfulness attached to both the giving and the receiving of a gift. Sometimes this exchange of gifts between two people goes beyond the ‘ordinary’, the birthday or the anniversary for example, to become a milestone memory. I recently received such an extraordinary gift. What made this benevolence even more unique was that it came not from an old friend but a new one. [1] Benevolence is from the Latin benevolentia, literally “good will”. Is there a nobler motivation for the giving of a gift?

The iron oxide cross tilting and fading in its dark but paradoxically illuminated background reflected much of my life. It was one of Chick’s largest oil paintings [1350mm x 1700mm] and it hung in the corner of his busy workshop. [2] It drew my attention and transfixed my spirit every time I would visit. I could not ask my new friend if this awe-inspiring piece of art was for sale. What price could either one of us put on it? And yet from that first encounter I was convinced that one day, this magnificent work would come home with me. I would later also discover that the canvas was sprayed with salt water and so resonating with even more symbolism.

Around a month ago Chick [Charles Butcher] invited me to look at the draft layout of his [and his partner’s Cobi Cockburn] upcoming exhibition. Once more through the adept use of mixed-media he was investigating that thin nuclear line between the material and immaterial worlds. My first movement was towards the painting. Again I was spellbound by what it was whispering to me from that high place where it hung: that however deep the surrounding darkness Endurance is never wholly extinguished. And I would recollect one of my favourite lines from the noble but unsung Russian poet Olga Sedakova: “For ages I’ve known/ that all creatures with wings are blind, /and that’s why birds cry, ‘O Lord!”

“Michael… I want you to have it.”

“Thank you, Chick… I had been waiting.”

From the most unexpected places come our sorrows and our joys. From a friend the arrival of an arrow and from a stranger a great delight.

[1] I had known Chick (Charles) Butcher for some time before. Our two boys played together in the local football team. But it was only later during a conversation at Killalea State Park that we started to forge a friendship. We would discover some strong similarities in our thinking and were surprised to learn of each other’s “hidden” identities. https://www.youtube.com/watch?v=JA7w3KY3_kl

[2] Chick shares his workspace with his partner Cobi Cockburn who is also an award winning and internationally recognized artist. http://sabbiagallery.com/artists/cobi-cockburn/