Sworn in as a probationary constable September 1980

The NSW Police Force seemed the perfect career choice for the adrenaline charged eighteen year-old straight out of high school, a job which demanded high levels of fitness together with the promise of high octane excitement.[1] Growing up watching Crawford Production classics like Homicide and Division 4 and then afterwards drawn in by the glamour and brawn of Clint Eastwood’s Dirty Harry and Charles Bronson’s vigilantism, it made policing and the pursuit of criminals seem honourable and right. Later I would learn of the many flaws and inherent ambiguities that muddied the concepts of law and justice, and even further their blurred connection to ethics.[2] The media and Hollywood did their best to confuse these high ideals still more. My goal, though, having managed to score a respectable Higher School Certificate (HSC) was to eventually study at university. I wanted to learn the reasons for why ‘things were’ and to get at some clues as to why we ‘think’ the way we do. Even though at the time, my philosophical conception of these existential questions could only be described as extremely naive. But I still came to the early realization that my ‘personality type’ and policing would not sit comfortably together. I decided to change course. Less than a year after having been sworn in as probationary constable at the graduation ceremony in the old Police Academy on Bourke Street, Redfern,[3] I handed in my resignation and once more prepared myself for the life of a student. Except, I should say, for a very brief stint as a private investigator!

It was around this time too, the whys and wherefores I do not exactly remember [except to being drawn by the book’s cover of a man struggling under the weight of a huge rock], that I would come across Albert Camus’ The Myth of Sisyphus (1942). I too, like countless other generations, would be forever hooked. The “absurd man” [A. Camus] versus the “Beyond-Man” [F. Nietzsche].

Freshly pressed and smart-looking in our dark blues and appointments,[4] class 168 which passed out that day included the current police commissioner Andrew Scipione whose gritty determination was there from the start (his shoes were always perfectly spit-polished) and one of my life-long friends Arthur Katsogiannis who has since risen to the rank of chief superintendent. There was also a future First Grade rugby league footballer in our class, and so too a long-legged Gail Petith the third runner-up from the 1974 Miss World pageant. The majority of our drill instructors (who were acting sergeants at the time) were veterans from the Korean and Vietnam conflicts. They were tough, gruff, and fair. We were a group of young men and women from as diverse a background as you could get, but we got along well and supported each other through what is called the initial training. Most of us I must confess did really awful at the firing range. Many of us had never held a gun before, let alone fired a pistol at a distance. In this instance the standard NSW Police sidearm the Smith & Wesson .38 calibre revolver. The real sharp shooters were from the country. They were also allowed to ride the horses. We did better at the Saint Ives police driver training course. Though once more, a large group of us did not fare too well speeding about playing ‘cops n’ robbers’ in the infamous “oil pan”.

As I started to adjust back into civilian life, for I had been a member of the NSW constabulary in what was then called the Junior Trainee program months before, I could never have guessed, that I would soon be spending some fifteen-years of my life as an undergraduate and postgraduate student. And the idea of becoming a university lecturer, let alone co-ordinating my own course, publishing essays, and writing books, was beyond any reasonable imagination.[5] Ironically, not too far from the police academy was the place where a little over five years later I was to begin on the other much more life defining journey. The seminary which had yet to be established and to whose pioneering group of students I would belong, would in comparison make the hard months preparing to become a police officer [and even later where I would serve in the Cypriot National Guard] an afternoon stroll in the park.[6] Yet nothing is ever wasted of our life experience. A brief interlude or a long happening can be of equal value. All things and all encounters bring along their own special significance and fortune.

 

I have now for a long time accepted as true and considered it a vital component of our learning-process something which the German-Swiss poet and novelist, Hermann Hesse (recipient of both the Nobel and Goethe Prize), expressed in arguably one of his finest works, Siddhartha (1922)[7]:

“I have always believed, and still believe, that whatever good or bad fortune may come our way we can always give it meaning and transform it into something of value.”

 

[1] http://www.police.nsw.gov.au/about_us/history

[2] A recent paper published in the Oxford Journal of Legal Studies by T.R.S. Allan, “Law, Justice and Integrity” is well worth the visit: http://www.laws.ucl.ac.uk/wp-content/uploads/2015/01/Law-Justice-and-Integrity-TRS-Allan-2010.pdf

[3] In 1984 the NSW Police Academy relocated from Redfern to its current location in Goulburn: http://www.police.nsw.gov.au/__data/assets/pdf_file/0009/159480/PW_20_07_09-LR.pdf

[4] These were the Revolver, Baton, and Handcuffs.

[5] http://works.bepress.com/mgmichael/

[6] http://www.sagotc.edu.au/

[7] https://en.wikipedia.org/wiki/Siddhartha_(novel)

The unspeakable violence which men can do

“He stood at the window of the empty café and watched the activities in the square and he said that it was good that God kept the truths of life from the young as they were starting out or else they’d have no heart to start at all.”

Cormac McCarthy, All the Pretty Horses (1992).

 

Most of my memories growing up in the Reno are happy ones, but given the amalgam of humanity a few were not so pleasant. Things I saw or heard which would leave a lasting and sad impression on me such as the too often ruinous fallouts of gambling, prostitution, and heavy drinking. One of these experiences however, was wholly terrifying for a young child, and it would haunt me well into my adult years. It would be as a result of this happening that I would find it extremely hard to forgive those who would take advantage of children, especially if this was sexual abuse. As consenting adults we are more often than not deserving of the consequences of our relationships and we should fight against that ‘self-righteousness’ which would squarely place the blame on the other, but when it comes to children it is far better that we lose all that we possess than it is to harm even one of these. It is also very difficult for me to understand why otherwise very good and sensitive authors would feel the need to describe such violation graphically. It never made any proper sense to me. 

Next door to the shoppe was the ‘neighbourhood’ fine food delicatessen.[1] It was only a small place but packed to the rafters with just about anything and everything that could have been considered even remotely edible. Owned by a hardworking Greek-Albanian couple with three children, it complimented the Reno in its longevity at least. The eldest of the three siblings T., who had a remarkable gift for drawing and went about barefoot paying no regard for weather, was my very first best friend. Together we would explore the foreboding nooks and crannies (and not rarely the roof tops too) of that long stretch of King Street, Newtown,[2] running all the way south to Saint Peters. Along this wide expanse of our exploration which included fabulous toyshops, colourful haberdasheries, bloody butcheries ankle deep in sawdust, cagey pawn shops, together with that brilliant splattering of old generation milk-bars and queenly bakeries with the best pink iced finger buns this side of earth, were the numerous pubs. Big and brawny, the beating heart of the street they were. One of these, the Sandringham Hotel (The Sando),[3] was to figure prominently in our lives. Most pubs or ‘hotels’ as they were also known, would rent out rooms. Committed bachelors and widowers would spend large parts of their lives in those popular establishments as borders. One such person, someone we referred to as Uncle A., would hurt us.

During our late afternoon expeditions up and down King Street, which would afterwards conjure up lively images in my mind of two latter day Huck Finns, we looked out for the jovial Uncle A. The middle-aged man with his unruly mop of reddish hair would be frequently seen having a drink near the main entrance to the pub. What drew us to him were the Superhero comics he would invariably be reading. One evening T. and I were out playing past our curfew (which to the ongoing chagrin of our parents was a much too regular occurrence) when we decided to play “chasings” down to the hotel. Normally this would be in our billy-carts, but this day it was on foot. Uncle A. seeing us and second-guessing our fascination for his marvellous magazines asked us to meet him “round the back”. He invited us to his room and brought out a large cardboard box. It was stacked with those colourful thin volumes which illustrated the improbable stories of our larger-than-life superheroes: The Flash, Thor, Captain America, Green Lantern, Superman, Batman, Captain Marvel, Iron Man, and all the rest who made their way into the 1960’s through the Great Depression and World War II.

He cleared some space and dropped the big box onto the kitchen table. What he almost immediately started to pick out were not the comics we were excitedly anticipating. He had placed “comics” in our hands which had real people in them, and what straightaway struck me was that these people were not wearing clothes. And the pictures too, were without colour, the pages were like those of a newspaper. I started to feel uncomfortable and scared. A child has crystalline discernment. This nasty man had thrown pornography into our hands. Something is not right here. There is the throbbing feeling of an outer darkness.

The little boy sees him place the long serrated blade onto that kitchen table next to his yucky magazines. The man runs his tattooed and nicotine scarred fingers through the little boy’s neatly cropped hair. He mutters unfamiliar words under his intoxicated breath. The little boy looks again at the sharp blade which only moments ago had been depressed hard into his throat. Has he cut me deep? Daddy, am I bleeding? He is terrified, even more than that time when he was run after by the angry dog. It was an Alsatian, he was later told. A heavy hand grabs him from behind the neck. The other older boy, the one without the shoes, is perfectly silent. Maybe he thinks this is some kind of game. The room reeks of alcohol and cigarette smoke. The table has a leg missing and is propped up by a piece of broom-stick. In a twisted connection to identity everything in this small dirty flatette appears to be broken. Laws count for nothing here. These things I can still remember. Sometimes almost entirely clearly and other times only loosely in bits and pieces.

I am sobbing and have wet my pants, yet amazingly still enough in “control” to be scanning about the room for any avenue of escape. One of the bonuses of growing up in the inner-city tributaries, we did not panic or frighten too easy. But I knew nothing of death until that hour at the Sandringham where I would receive one of my earliest lessons into the more brutal and violent realities of life. Uncle A. had taken my friend by the hand and led him into another room. I could only just hear the voices but have a distinct memory of running water. The door behind me had a number of locks, for some reason perhaps in his haste and panic, only one or two of these were securely fastened. All I had to do was unlock those bolts near the door handle. They were within my reach. Michael, do not make any noise. Quickly! A few moments later I am sprinting as fast as my legs can carry me up King Street. Our parents have to know of T. being in danger because of the “big bad man.”

The police came to the café in a hurry but they were not in uniform. They were the ‘plain clothes’. These were the famous detectives. One of these was a striking looking silver-haired woman. Could this have been the legendary Shirley Morgan with whom I would incredibly work with some twelve years later as a probationary constable?[4] With the permission of my parents the two detectives helped me into their unmarked car and we sped down to the pub. By this time safe myself, I was more concerned for the safety of my best friend. I have forgotten how we managed to get into Uncle A.’s room, but not what we saw once we entered. There was no one in the kitchenette. We heard voices coming from what turned out to be the bathroom. T.’s clothes were lying on the wet ground and my young friend was in the bath-tub. The semi-naked Uncle A. was on his knees. His hands were deep in the soapy water.

And for the second time that night, the sense of an awful and overwhelming dread.    

The rest is not too clear, and maybe it is better that way. I do remember however some time later, going to the “big building” and thinking it odd that the detectives would bring our soiled underwear (mine and T.’s) into the court in plastic bags. For some reason I felt unhappy when I realized what the police had brought with them. I suddenly felt ‘unclean’… and responsible. It would take a long time and countless nightmares for me to comprehend these confused feelings and to be rid of them. Michael, you must remember these happenings are not you. Do not multiply the ghosts. Long afterwards having read Tomas Tranströmer, the Swedish Nobel poet who emphasizes childhood experience and memory in his work, I discovered that it was possible to write of these things without getting completely ‘fixed’ on them.[5] There exists in Tranströmer’s literature a rich trove of insights for those who are engaging with developmental psychology and particularly with the innateness and environmental influences question.[6] I do not know what happened to Uncle A., but we never saw or heard of him again. I was seven years old at the time and T. was eight.[7] Many years into the future a Sydney based rock band The Whitlams would write an ode to the pub “God Drinks at the Sando”… but for two little boys it was where they would come face-to-face with the devil.

 

A few weeks later and my first brush with obsessive compulsive disorder (OCD). Make sure the doors are locked, Michael… 123… knock… 123… knock… 123… knock. Surprisingly, it would take some time for me to realize why the skin of the middle knuckle on the index finger of my right hand would invariably be sore and broken.

“I walk slowly into myself, through a forest of empty suits of armour.” (T.T.)

 

Years earlier I had been sexually assaulted by my Nanny. In lots of respects adults have continued to shock me, in very good and very bad ways. I mean for their limitless capacity to routinely express undreamed-of acts of compassion, as for their day-to-day devastating acts of unspeakable violence.

We may carry the memory of the damage which was done to us, but it is not who we are. And to the extent that we move forward and build and create and share a little of the Light which has been revealed to us, the perpetrators hold on us is increasingly weakened and diminished. And for those who have practised the great and often enough difficult art of forgiveness, the victory itself is greater and goes deeper than the memory. It will take a little time and some heavy loads of endurance, but the ghosts can be surely quietened. 

“When you encounter difficulties and contradictions, do not try to break them, but bend them with gentleness and time” (Saint Francis de Sales).

 

[1] Similarly to the Reno, the small delicatessen went through a number of transformations throughout the decades. It is now a busy newsagency run by a lovely Asian couple.

[2] http://www.newtownproject.com.au/welcome-to-the-newtown-project/about-newtown/

[3] http://www.sando.com.au/index-old.htm

[4] My initial posting as a junior trainee was at Newtown Police Station, just a few blocks down from the Reno! It was one of the more well known divisional stations with an improbable bag of ‘colourful’ characters.

[5] http://www.poets.org/viewmedia.php/prmMID/19009

[6] http://www.psychologistworld.com/developmental/

[7] I literally bumped into T. some thirty years later outside a church in the eastern suburbs of Sydney. He was leaving after a baptismal service just as I was about to attend one. We embraced warmly, but too much time had passed. There was little to say.

Farewell to Brian Johns (1936-2016)

A beautiful thing to have done a good deed and never to have known.

For a number of years it has been my habit late in the evening to visit the Wikipedia “Recent Deaths” webpage.[1] This not on account of any morbid curiosity on my part, but to discover who of those that have passed on will reveal new things to me. Necropolises are our greatest universities. The dead are our truest teachers. And I have left the richer not only to be reminded that I have been given another day of grace, but also with an addition of valuable knowledge from visiting these lives which have come full circle. People from all walks and schools of life. Lessons are everywhere to be found. Sometimes, too, these visits have been touched with an additional and deeper gratitude. I come face-to-face with men and women I have met at some time during my own life either incidentally or in a more personal space.

On the evening of the 1st of January 2016 I read of the passing of one of these people that I had encountered in those more personal spaces. A man who was a paper boy and a factory hand when growing up to afterwards wear a number of different hats with great distinction in the corporate, business, and academic worlds.[2] I met Brian Johns for a brief but decisive moment in my life in one of his many personifications as managing director of the Special Broadcasting Service (SBS) 1987-1992.[3] It was during this evening when I visited the “Recent Deaths” webpage that one of the clues for his compassion and affection towards me would reveal itself. But first something of the context behind our correspondence and the two meetings at SBS.

At the time I was living through one of the two life experiences which would in their own season and for their own reason, take apart and change me forever. I had made the heartrending decision to ask to be relieved of my priesthood and was seeing out the last months of my diaconate.[4] I was increasingly becoming estranged from the Greek Orthodox Archdiocese in Sydney and had fallen into a deep melancholia (a more correct word for depression).[5] In short, outside my immediate family I was almost completely alone and on the edge of letting go of everything which I had up to that time lived and worked towards. Support from those places where I would have normally expected was not forthcoming and this was made known to me in some heartless ways. In reality, there is no one to blame, more often than not we move and respond from within a space we alone create and inhabit. I was a greatly idealistic twenty-nine year old who could now envision no future for himself. In a moment of desperation I thought my one way out (excepting for my ongoing battles with suicidal ideation) was broadcast journalism. I loved to write and to communicate with people and to listen to their stories. I felt I could do well in the media. It would have been utterly marvellous I thought, to do the research and then to sit down in a chair in front of an audience and do the interview.

This is when Brian Johns enters into my story, around late August or early September of 1990.

Somehow during those weeks of numbness and inertia I managed to put together a few words outlining as best I could my current situation and what I was hoping for in terms of the future. I addressed and posted this letter not to one of the department secretaries or programme directors, but directly to the SBS Managing Director Mr Brian Johns! And that’s where I thought it would end. Immediately afterwards I was embarrassed thinking that even if that rambling letter would reach this man what on earth would he make of me? A week or two had passed when a phone call came through to our home in Kingsgrove from the Managing Director’s private secretary asking to speak with “Father Jeremiah Michael”. Brian had actually received my letter, had read it, and asked to meet with me. It is not possible to spend our entire lives living in a world of pure perception. At last some little light at the end of the tunnel. 

I was not the young man of even a few years earlier. My once unshakeable and booming confidence was very close to being completely shattered. I was frightened of exploring new territories and had decided to never again open up my heart. To make matters worse, I had started to binge drink in a futile effort to shut away the pain. But somehow, by the grace of God, I had always been able to find that extra bit of reserve I have needed to keep moving forward. And so I nervously made an appointment with Brian’s secretary to meet with him on an afternoon of the following week. I prepared the best I could, put the alcohol and those awful anti-depressants away, and read up on the basics of news media.

It will not be possible to forget the days leading up to my meeting with Brian. I was very much anxious during the cab ride and was fearful of becoming physically ill. I needed a drink or to be sick. It had become difficult to tell the difference. A few years earlier in 1987 in my mid-twenties during the Roman Catholic-Eastern Orthodox Joint Declaration at the Vatican where I had been present to witness this historic moment, I was together with a group of young inter-denominational clerics introduced to Pope John Paul II.[6] Certainly, I was nervous and anxious then, but not as apprehensive or hesitant as I was during the hours heading into this present moment. I had an entirely different perception of myself back then in Rome and now in lots of ways I was another man. Except for the fact that hope and my belief in the Creator, would refuse to wholly go away.

As soon as I walked into the foyer of the SBS building at Milsons Point (unless I am mistaken the move to Artarmon had yet to take place)[7] I became positive and I allowed for an excitement to rush through my body which I had not felt for a long time. I was still a cleric and was dressed in my black and freshly pressed cassock. My shoes were spit-polished from the night before. More than a few quizzical stares came my way. I explained to the reception the reason behind my visit and was soon sitting in the waiting room leading into the executive offices of the Managing Director. There was a deep sense of relief as if I had succeeded in escaping from a dangerous place. Though I knew my present situation was complicated and there was more waiting for me, here at least were some lovely shards of light.

It was Brian himself who stepped out and invited me into his modestly furnished office. It was a room stacked with books. I remember from the start being impressed with his old world elegance and demeanour. Well dressed and softly spoken with a striking mane of thick greying hair, he cut an impressive figure. You knew immediately with Brian Johns, that you would have to bat straight to get his attention. On his desk, I was taken aback to find, that he had open and was in fact reading a typed MS of my poetry which I had included in my initial correspondence. It was I must confess what writers term juvenilia. Yet here was a man who had previously been a publishing director with Penguin Books taking interest in my earliest literary efforts. Even now as I write these lines, I smile at one of our first exchanges. Brian quickly asked me what it was “exactly that I wanted”. I was overwhelmed by this incredible opportunity and trust which was directly cast my way. I fumbled for a response and came out with a less then convincing “I would like to read the news.”

He smiled warmly and encouragingly, he asked a few more questions, and then said, “Okay, Jeremiah, we will speak again.” What happened afterwards and my reasons for not carrying through with Brian’s amazingly generous response is for another day. I wrote a letter telling him “I was not in the right frame of mind and that I was extremely sorry for robbing him of his valuable time”. But a few weeks later I back-tracked and Brian once more, unbelievably for someone in his position, reached out to me again. However, for a second time I told him I was in no condition to go ahead with such a “visible career move" when I was so close to “abandoning my priestly vocation” and that I was heading for England to enter a retreat.

I flew out to London soon afterwards as the First Gulf War (1990-1) was getting underway and the world was entering into yet another of its post WWII apocalyptic moods. I asked and was given permission to spend time with the monastic community of Saint John the Baptist in Essex, Tolleshunt Knights.[8] The abbot at the time was the recently sainted Father Sophrony.[9]  At Heathrow Airport everywhere there were signs of the war, the surrounds replete with heavy armaments and soldiery. I, too, on a much smaller scale was to enter into my own private war. It was to last for many years with as many twists and turns as Tiamat’s tail.

The heart of these paragraphs has to do with the generosity and kindness that a man in a high professional post would express to another man whose life was at a crossroads. I started these paragraphs with the promise of revealing a clue which communicated to me in a profoundly moving way a hidden connection between myself and Brian, and why he seemed to understand where even some of my oldest and dearest friends could not. Here was a stranger, who discovered more in me in only a few hours of conversation, what others could not over the duration of many years. I learnt much about friendship during those agonizing months and it would become a subject of lasting fascination for me.

I did not know until a few days ago that Brian himself had been a seminarian at Saint Columba’s Seminary and was preparing for the priesthood.[10] Incredibly and in another lovely twist, our vocations would again career into each other when much later we would both be awarded professorships.

My final correspondence with Brian was a quarter of a century ago. A letter sent from London a day or two after my arrival, and a postcard from Madrid a month after my request to be relieved of my priesthood had been granted by the Ecumenical Patriarchate.

Our lives are to be measured by good deeds and little else. It is where it all begins and where it will all end.

Thank you dear Brian, requiescat in pace.

 

[1] https://en.wikipedia.org/wiki/Deaths_in_2016

[2] https://en.wikipedia.org/wiki/Brian_Johns_(businessman)

[3] http://www.sbs.com.au/

[4] http://orthodoxwiki.org/Presbyter [I was ordained into the diaconate as a celibate with the view towards a bishopric].

[5] William Styron rightly made this distinction between depression and melancholia in his own memoir of his struggle with mental illness in the memorable Darkness Visible. http://www.theatlantic.com/entertainment/archive/2014/12/the-hope-that-william-styrons-darkness-visible-offers-25-years-later/383406/

[6] https://www.ewtn.com/library/PAPALDOC/JP2DIM1.HTM

[7] https://en.wikipedia.org/wiki/Special_Broadcasting_Service

[8] http://www.thyateira.org.uk/index.php?option=com_content&task=view&id=373&Itemid=163

[9] http://orthodoxwiki.org/Sophrony_(Sakharov)

[10] https://en.wikipedia.org/wiki/Brian_Johns_(businessman)

Eastern Orthodox Liturgical Chant

Music has been a part of my life ever since I was a little child, a significant witness to the passing of the years. I can still remember. Whether it was listening to the Divine Liturgy, which Mother would play on her treasured vinyl records (LPs), or to the easy listening stations at the Reno Café, where the old Philips radio was forever on. And later by choice, when I was older, music would accompany me everywhere from the city across the ocean and into the desert. Whatever the condition of the heart, as King David one of the authors of the Psalms well knew, there is consolation in music. But I have even from my childhood noted a difference between what we might call sacred and secular music.[1] It seemed the natural distinction to make. And the manifest difference between the two? In very simple terms, sacred music relates to God, to ‘the divine’, whereas secular music will typically relate to the human, ‘to the earthly’. Sacred music as well, has a tradition of being accepted as a music genre set apart for worship by a large group of a believing community. It is conventionally in the form of a chant (“a rhythmic speaking or singing”).[2] Another difference between the sacred and the secular is that the former is text confirmed in scripture and liturgical texts, and does not stimulate or arouse violence or wickedness,[3] which secular music can do.

This is a tremendous topic and one which can stimulate much discussion, especially when it comes to definitions and to people’s biases of what actually constitutes the sacred.[4] It could be as difficult as trying to get behind Dostoyevsky’s enigmatic “[b]eauty will save the world” spoken by the Christ-like figure the epileptic Prince Myshkin. But technically, at least, chant, is one of the signature characteristics of sacred music together with its connection to ritual and cultic practices. I can be moved to tears, for example, when I listen to Kris Kristofferson’s country gospel “Why Me, Lord?”[5] Or Barbara Streisand’s haunting rendition of “Avinu Malkeinu”.[6] Where would musicologists place these songs in a canon of religious music? I know they swell up an enduring gratitude in my own heart. The spine-tingling Christos Anesti sung by Irene Papas [7] which was adapted by Vangelis from the traditional hymn is another piece of music which can test the boundaries for the definition of a music style or form. Nor as a Christian, is the magnificent Azan from Sheikh Abdul majeed,[8] or listening to Cantor Moishe Oysher,[9] something which does not deeply touch and act upon my spirit. Gregorian chant synonymous with the Roman Catholic Church plays a part in my devotions, as do the inspiring chants of the Taizé community. From the masters of classical music there is an impressive list of great requiems in the dramatic tradition of the concert oratorio. The purpose behind sacred music, or at least that music which is specifically set aside for worship, is to lead to interior reflection and spiritual growth.

“Nothing elevates the soul,” writes Saint John Chrysostom, “nothing gives it wings as a liturgical hymn does.” In modern terms this could be transliterated into Hunter S. Thompson’s poetics on music as “energy” and “fuel”.

The intention behind this little introduction was to share some paragons of the sacred music from my own community of worship, the Eastern Orthodox Church. Outwardly traceable to the classical age of the Greeks but strongly influenced by the “Jewish Synagogue chant and psalmody”, eastern liturgical chant in its present recognizable form was developed in the earliest years of the Byzantine Empire.[10] Below are samples of the chant which is not to be confused with the Byzantine music of the courtly ceremonials.[11]  If you do not have time to listen to all the pieces, then might I suggest the cantor who is considered the principal of his generation, Theodoros Vasilikos, and the angelic Cherubic Hymn from the Novospassky Monastery Choir:

Lucio Dalla’s Caruso

Qui dove il mare luccica e dove tira forte il vento Su una vecchia terrazza davanti al golfo di Sorriento…
Here, where the seas shines, and the wind howls, on the old terrace beside the gulf of Sorrento…

On an afternoon in the summer of 1986 the Italian singer-songwriter Lucio Dalla (1943-2012) wrote what was to become one of the most beautiful and heartrending songs of recent times. It has been covered by an impressive number of the world’s finest singers on a diverse range of stages and in different tones. The song is the unforgettable Caruso.[1] The story behind its inspiration was revealed by Dalla himself in an interview he gave to an Italian newspaper. He relates a story told to him by the owners of a hotel in Sorrento where Dalla lodged for some nights.[2] It was the hotel where the great Italian tenor Enrico Caruso himself had stayed shortly before his death from peritonitis in 1921. He was aged 48. At the time he was suffering from pleurisy and empyema and was in awful pain. The celebrated Caruso was giving singing lessons to a young girl with whom he would become infatuated. Lucio Dalla stayed in the same room, the “Caruso suite”. It was this impromptu story, of an impossible love emanating from a dying man who looks into the eyes of a beautiful girl in full bloom, which inspired the singer-songwriter and registered the song into our imagination.[3]

E’ una catena ormai Che scioglie il sangue dint’e vene sai…
It is a chain by now that heats the blood inside the veins, you know…

I first heard Caruso from Pavarotti and Bocelli. It resonated deeply from the start for its mesmerizing melody and elegiac lyrics. Even so, it was only when I was older that it struck me for all of its other implications. This happened when I unearthed the breath-taking Lara Fabian who gives perhaps the most impressionable of all the performances. Mercedes Sossa, the legendary Argentine singer known as “La Negra”, is probably the most soulful. I listen to the song often. It transports me to different destinations. Not only as I grow older and consider the decay and ruin of my own flesh, but particularly when I reflect on the relationship I have with my wife and on the miraculous circumstances which brought us together.

Ti volti e vedi la tua vita come la scia di un’elica…
You turn and see your life through the white wash astern…

The English philosopher Roger Scruton who specializes in aesthetics (the study of beauty and taste) has recently published a marvellously engaging and intelligent piece on the BBC’s A Point of View where he considers what it is that makes for great music.[4] One of his key contentions is that good music is “a language shaped by our deepest feelings” and not “put together on a computer from a repertoire of standard effects”. Dalla’s delicate song in the celebrated tradition of the canzone Napoletana does sit comfortably in the first category.